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Archive for July, 2011

You Don’t Need Reservations To Sit at the Interactive Table

Monday, July 25th, 2011

Russell Brand at the Interactive TableYou’re at some trendy restaurant and a waiter with all the hirsute hipness of Russell Brand (but none of the pluck) wafts to your table and recites of the specials by rote. Once you’re impressed with the joint’s preparations of exotic animal parts (en francais, of course), the waiter will then botch your order and overcharge you for the privilege. It’s the tax one pays for being so outré.

While I was recently enduring this kind of experience, Snibbe Interactive’s Social Tables (tabletop multi-touch interaction for education, entertainment, branding and digital signage) came to mind as a means of staving off my inevitable foodie FAIL. Though our engineers consider it sacrilege to even consider dining atop one these finely-prepared servings of art and technology (I too do not recommend eating off high-tech art) I salivated at the possibilities of poking through an interactive menu, a live video stream from the kitchen, pop-up explanations of whatever it is that “haute cuisine” means or the latest trend spotted at the Fancy Foods culinary trade show – all available by merely stroking the screen.

And why not? Of the future-forward restaurants listed on, say, UrbanSpoon, many have equipped their waitstaff with iPads. An interactive table functions much the same way touch-based controls – so let’s cut out the middle man. Sure, my colleagues think I’m mad but it’s not like I’m suggesting we get all Ginsu like the teppanyaki tables at Benihana, I just think there are better ways to experience information that’s as easy to use as eating finger food. And though I don’t advocate playing with one’s food, playing with “virtual” food could whet one’s appetite for a four-course informational experience with side dishes that never have to be bussed.

Our SocialTable-based “Health Choices” game, for example, integrates experiential learning with a fun user-interface that tallies in real-time the results of one’s health-related choices (video below). This can be customized for all manner of applications, from hospitality to hospitals. I for one, would like to see “etiquette training” touch table for waitstaff. The interactive display could teach you how to properly set a table using virtual flatware (salad forks go on the outside, Russell). And, for once, it’s okay to put your elbows on the table (something interesting will happen). Let’s do lunch.

How an Interactive Wall can make Your Museum Less Lethal

Thursday, July 21st, 2011
Interactive Wall, early beta.

Duck and cover.

The early days of interactive exhibits are littered with heartbreak and a fair amount of shattered glass. Consider Dada pioneer Marcel Duchamp who is often credited with creating one of the first interactive installations with his breakthrough (um, literally) Rotary Glass Plates installation.

“Rotary Glass Plates is a motorized device that demonstrates the continuity of visual impressions,” explains the exhibit notes at the Yale Center for British Art, New Haven, Connecticut, where the interactive installation is currently on display. “Its five glass blades are painted so that when set in motion and viewed head-on, the machine forms concentric circles on a single plane.”

The work required the viewer to activate the machine and observe it, straight on, one meter away – hence, the purported interactivity. For 1920, this was cutting edge – in more ways than one. Duchamp’s pal, photographer Man Ray, intended to capture the experiment, however, when they turned it on a belt broke and snagged a piece of the glass that went glancing off the photographer’s forehead. Fortunately, it shattered only when it hit the floor.

Though we applaud Duchamp’s early efforts at creating an interactive experience, be assured, Snibbe Interactive’s Social Screen won’t raise your museum’s insurance premium. The only moving parts are your visitors themselves as they dance, interact and generally cavort in a virtual environment that’s a window into the imagination sans the glass. Sure, Duchamp might say “no pane no gain” but we say an interactive museum installation shouldn’t require one to duck to be interactive.

Snibbe Interactive and Björk’s Biophilia

Tuesday, July 12th, 2011

Snibbe Interactive is proud to announce our production of interactive multimedia and concert visuals for Björk’s new Biophilia tour. The Biophilia live show has its world premiere as part of the Manchester International Festival, with Björk’s first live concert performance in nearly four years. Björk continues performances at Manchester through July 15, and then goes on to a three-year world tour of six-week residencies in eight different cities. In each city Björk will perform Biophilia twice a week, using interactive apps to play live a set of custom built musical instruments.

The video and stage visuals produced by Snibbe Interactive evoke an atmosphere similar to being inside an app itself, with eight screens mounted surrounding a central stage. The immersive concert environment also includes floor projections with cymatics imagery of vibrating sand; a collapsing galactic “reverse big bang” that envelops Björk; a 24-woman Icelandic choir; and famed percussionist Manu Delago. Live imagery from interactive iPad apps, and music and instrument control from these apps, blend seamlessly with the stage performance. In addition to original animation and video, Snibbe worked with several brilliant animators including MacArthur award-winning bioanimator Drew Berry, abstract animator Stephen Malinowski, and cymatics artist Meara O’Reilly.

In Manchester and subsequent locations, the venues also host a series of music-education workshops in collaboration with local schools to emphasize Björk’s integrated vision for Biophilia of Music, Technology and Nature.

Press release from Nonesuch Records

Björk at the Manchester International Festival

New York Times review of Biophilia by Jon Pareles

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Bjork photographed in Manchester on 23 June 2011. Photo by: Carsten Windhorst / www.frpap.com / info@frpap.com
Björk beneath Drew Berry’s Hollow animation

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Icelandic Choir performs under Stephen Malinowski’s animated score

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Björk in her amazing spliced mini-dress/evening gown with Scott Snibbe at rehearsals

All photos by Carsten Windhorst/Press